4,278 Royalty-Free Audio Tracks for "Analog Bass"

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Strange intermission.

A fun patch. Notice the connection between speed and tone.

I'm testing a new module. . .

Yeah! now i have got a vc switch! the jerk off is back in the rack!i have missed you.

Testing something i dont know i'm doing right.

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

Another patch. Almost melodic. . .

Playing around. . . Find your sample! check out around 5 min. . . .

Some noise made to sound like the noise generators used in analog drum synthesizers for things like cymbals. Made with helm, 4 comb filters, and a high-pass filter. Helm to generate square wave dissonance, comb filters to add stereo and more "structured noise" quality, and high pass filter to hide the lower overtones.

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

A double krell patch making some bubbly sounds. Made on an analog modular synth.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Generative patch. Unedited. Does it need editing :-).

Using modules through analog heat. Have fun with it, make music, make sounds.

Synth loop created with novation peakkey of f minor108 bpm. Doctor dreamchipoctober 2020.

Cranked up resonance+lfo from the elektron analog heat.

Dark atmospheric horror background music recorded in audacity on a yamaha ew300 keyboard using analog synth voice and limited with a soft limiter in audacity of -5db to remove sharp spikes in recording.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

Answering machine voice saying sunday 11:05 am / sunday 8:33 pm. Recorded from a cassette tape 1991 [cc zero].

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

You will find a pattern. . .

Exploring my downsized synth. Feels great. A small synth with a trillion possibilities and hidden surprises.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.

120bpm 4/4 natural analogic tambourine rhythm (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

100bpm 6/8 natural analogic tambourine rhythm (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

100bpm 4/4 natural analogic tambourine rhythm (48khz/24b). Recorded with : nt1-a rode microphone / motu soundcard / black lion preamp. -cubase 11pro.

Nlc sloth and jerkoff generates chaos.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.

Playing with delay.

This is nlc jerkoff. A chaos module. Doing. . . Chaos.

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Result from a short session. Sequencing with cvlfo, s/h, attenuverter, step sequencer.